In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of "craftivism"—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval.
Record details
ISBN:9780226077819 (hardcover)
Physical Description:print 326 pages : color illustrations ; 26 cm
Publisher:Chicago :The University of Chicago Press,2017.
Content descriptions
Bibliography, etc. Note:
Includes bibliographical references and index.
Formatted Contents Note:
Introduction: textile politics -- Queer handmaking; The Cockettes' crafty genders; Harmony Hammond goes down -- Threads of protest; Cecilia Vicuña's concepts and quipus; Arpilleras, "tapestries of defamation" -- Remains of the AIDS quilt, Piecing the names, 1985-1992; Crafting conflicts, 1992-present -- Afterword: the currency of cloth.